缈昏鑰冭│鍌欒€冭┅姝岀炕璀細璀┅鍏珫


浠€涔堟槸瑭╂瓕鍛�?鏈夊(xu茅)鑰呮敹闆嗕簡姝愮編瑭╀汉灏嶈┅鐨勭湅娉曪紝鏁寸悊鍑哄涓�10姊濆畾缇╋細1銆佺磩缈伴仠鍗氬+瑾細瑭╂槸鎶婃▊瓒e拰鐪熺悊铻嶅悎鐐轰竴鐨勮棟琛�(sh霉)銆�2銆佽彲鑼茶彲鏂锛氬ソ瑭╂槸寮�(qi谩ng)鐑堢殑鎰熸儏鑷劧鐨勬祦闇层€�3銆佺鐖惧緥娌昏锛氳┅鏄禃濡欏ソ瑭炵殑绲曞瀹夋帓銆�4銆侀洩钀婅锛氳┅瑷橀寗浜嗘渶缇庡ソ銆佹渶骞哥鐨勫績闈堝害閬庣殑鏈€缇庡ソ銆佹渶骞哥鐨勬檪鍏�銆�5銆佸崱濂堢埦瑾細瑭╂槸闊虫▊鎬х殑鎬濇兂銆�6銆佷簽璜惧痉瑾細瑭╂槸灏嶇敓娲荤殑鎵瑰垽銆�7銆佸竷鏈楀瑾細瑭╃敤鏈夐檺椤ず鐒¢檺銆�8銆佸紬娲涙柉瑾細瑭╄涓€鎸囦簩銆�9銆佽憠鑺濊锛氳┅鏄績琛€銆佹兂鍍�銆佹櫤鎱х殑浜ゆ祦銆�10銆佺摝闆烽噷瑾細鏁f枃鏄蛋璺�锛岃┅鏄烦鑸�銆�
瑭╂瓕浣滅偤涓€绋珮绱氱殑鏂囧(xu茅)钘濊(sh霉)褰㈠紡锛屽畠鏄惁鍙锛岀従(xi脿n)鍦ㄧ炕璀晫閮芥矑鏈夐仈(d谩)鎴愪竴鑷�銆備笉绠℃€庢ǎ锛屾瘡骞撮兘鏈夊ぇ閲忕殑瑭╂瓕琚鍏ュ拰璀嚭銆傝┅姝屽叿鏈変笁缇庯細闊虫▊缇�銆佸缓绛戠編銆佺編琛�(sh霉)缇�锛屽嵆闊抽熁缇�銆佸舰寮忕編鍜屾剰璞$編銆傝┅姝岀殑绁為熁闇€瑕佷竴瀹氱殑褰㈠紡渚嗚〃鐝�(xi脿n)锛岀敋鑷充竴浜涜┅锛屽叾褰㈠紡鐨勮〃鐝�(xi脿n)鍔涘彲浠ヨ秴閬庡収(n猫i)瀹圭殑琛ㄧ従(xi脿n)鍔�銆傜瀵撲簬褰�锛屽舰涔嬩笉瀛橈紝绁炲皣鐒夐檮?鎵€浠ヨ嫳瑭╃炕璀噳(y墨ng)瑭插湪鎭板鍏跺垎鍦板偝閬�(d谩)鍘熻┅绁為熁鐨勫悓鏅�锛岀洝鍙兘鍦板繝浜庡師瑭╃殑褰㈠紡銆�
闂�(gu膩n)浜庤嫳瑭╂饥璀殑褰㈠紡鍟忛澶ц嚧鏈夊叐绋笉鍚屾剰瑕�銆備竴绋富寮垫妸鑻辫┅璀垚“涓湅瑭�”锛屽嵆璀垚涓湅鍥烘湁鐨勮┅姝屽舰寮�;鍙︿竴绋富寮佃瑭╂噳(y墨ng)瑭查€e悓鍘熻┅鐨勫舰寮忎竴璧风Щ閬庝締锛屼娇瀹冪洝閲忔帴杩戝師浣溿€傝┅姝屽埌搴曡鎬庝箞璀憿?
涓湅鐣�(d膩ng)浠h瑭╃殑澶у瑷辨返娌栧厛鐢熸彁鍑虹殑“璀┅鍏珫” 寰堟湁鍊熼憭鎰忕京銆傚畠鍊戞槸锛�
1璀€呬竴涔�(Identification)
缈昏鏄鏂囧拰鍘熸枃鐭涚浘鐨勭当(t菕ng)涓€銆傜当(t菕ng)涓€鏈変笉鍚岀殑灞ゆ锛氳鍖拰瑭炵祫灞ゆ涓婄当(t菕ng)涓€;鍙ュ瓙灞ら潰涓婄当(t菕ng)涓€;娈佃惤鍜屽叏瑭╃殑灞ら潰涓婄当(t菕ng)涓€銆�
2 璀€呰棟涔�(Re-creation)
鏂囧(xu茅)缈昏鏄棟琛�(sh霉)锛岃┅姝岀炕璀洿鏄棟琛�(sh霉)銆傝嫳瑾炴槸褰㈠悎鐨勮獮瑷€锛屽線寰€琛ㄦ剰姣旇純绮剧⒑;涓枃鏄剰鍚堢殑瑾炶█锛屾瘮杓冩ā绯�锛岃涓€鎸囦簩锛屽叐绋獮瑷€浜掕鏅�锛屽父甯搁洠浠ョ当(t菕ng)涓€锛岄€欐檪灏遍渶瑕佽鑰呰棟琛�(sh霉)鍦板壍(chu脿ng)鏂般€�
3 璀€呯暟涔�(Innovation)
瑭╂瓕缈昏鍙互鍓�(chu脿ng)鏂�锛屽壍(chu脿ng)鏂板氨闆e厤鏈冩(bi膩o)鏂扮珛鐣般€傛湁鏅傜珛鐣版槸蹇呴爤鐨�锛岀壒鍒ユ槸灏嶅勾浠d箙閬�(yu菐n)鐨勮┅锛屽彲鑳藉湪鍘熻獮涓殑鐞嗚В閮藉凡缍�(j墨ng)涓嶈兘纰哄畾浜�锛屼笉绔嬬暟灏变笉鑳界炕璀�銆�
4 璀€呬緷涔�(Imitation)
鍓嶉潰瑾鑰呯暟涔�锛屼絾鏄暟涓嶈兘鑴洟鍘熸枃鐨勪緷鎿�(j霉)锛岄€欏氨鏄墍璎傜殑璀€呬緷涔�銆備篃灏辨槸瑾�锛�“鐣�”鎸囩殑鏄鏂囪劔闆㈠師鏂囩殑绋嬪害锛�“渚�”鍓囨槸鎸囪鏂囨帴杩戝師鏂囩殑绋嬪害銆�
5 璀€呮€′篃(Recreation)
鎵€璎�“鎬�”锛屽氨鏄炕璀殑瑭╂瓕鎳�(y墨ng)瑭叉€℃€ф倕鎯咃紝浣夸汉寰楀埌妯傝叮銆備竴棣栬┅钘濊(sh霉)涓婄殑鍎�(y艒u)鍔�锛屽湪涓€瀹氱▼搴︿笂鍙栨焙浜庡暉绀虹京鐨勬湁鐒�锛屼竴棣栬瑭╃殑鍎�(y艒u)鍔�锛屼篃鍦ㄥ緢澶х▼搴︿笂鍙栨焙浜庡暉绀虹京璀緱濡備綍銆�
6 璀€呮槗涔�(Rendition)
缈昏鏄彌鏄撹獮瑷€褰㈠紡锛岀劇璜栧浣曚娇鐢ㄥ拰閬告搰涓婅堪鐨勪簲璜�锛屾槗鏄附璜�銆�
鎴戝€戜締鐪嬫嫓鍊�“閫欎竴澶╂垜婊夸笁鍗佸叚姝�”涓€瑭╃浜岀瘈(ji茅)鐨勭炕璀細
鍘熸枃锛�
The days are in the yellow leaf,
The flowers and fruits of love are gone,
The worm, the canker, and the grief
Are mine alone.
璀枃1锛�
骞磋彲榛冭憠绉�锛�
鑺卞(sh铆)绌烘偁鎮犮€�
澶氭儏寰掕嚜鑻�锛�
娈樻窔甯舵剚娴�銆�(璀€呬笉瑭�)
濡傛灉涓嶅皪鐓у師瑭╋紝璀┅璁€渚嗙懐鐟笂鍙�锛屾槸寰堝京(f霉)鍚堜腑鍦嬪偝绲�(t菕ng)瀵╃編鐨勮┅銆備絾鏄皪鐓у師瑭╀締鐪�锛岃瑭╃殑棰�(f膿ng)鏍煎拰鎷滃€殑棰�(f膿ng)鏍煎墖鐩稿幓鐢氶仩(yu菐n)锛屼笉鑳界畻鏄竴鍊嬫垚鍔熺殑缈昏銆傝€屾寰疯鲍鐨勭炕璀紝鍩烘湰鎸夌収鍘熻┅鐨勭敤瑭炲拰褰㈠紡寰椾締锛屽墖鏇磋兘璁撲腑鏂囪畝鑰呯湅鍒版嫓鍊殑鐪熼潰鐩細
璀枃2锛�
鎴戠殑姝叉湀浼兼繁绉嬬殑榛冭憠锛�
鎰涙儏鐨勯鑺辩敎鏋滃凡鍑嬫畼;
鍙湁铔€锜�銆佺梾姣掑拰鐏�(z膩i)瀛�锛�
鏄垜鐨勮病鐢�(ch菐n)銆�
姝ゆ璀枃娴佹殺鑷劧锛岀涓€鍙ヤ互鏄庡柣鏇夸唬鍘熻┅鐨勬殫鍠�锛岀浜屽彞鏍规摎(j霉)瑾炴剰娣诲姞“棣�銆佺敎”鍏╁瓧锛岀鍥涘彞鍓囩敤涓€鍊嬫殫鍠昏鍘熻┅鐨勭洿闄冲彞;璀┅鑸囧師瑭╁彞寮忛暦鐭浉鐣�(d膩ng)锛屽舰寮忕浉浼硷紝鐢ㄩ熁涔熻垏鍘熻┅涓€鑷�锛屽悓鐐篴bab寮�銆傚師瑭╀腑鐨勪竴鍒囧舰璞�锛屽榛冭憠銆侀鑺�銆佺敎鏋�銆佽泙锜�銆佺梾姣�銆佺伣(z膩i)瀛�锛屼竴浠朵笉婕�锛屽彲璎傝純濂藉湴淇濈暀浜嗗師瑭╃殑闊炽€佸舰銆佹剰涓夌編锛岃畝渚嗙⒑鏈夋嫓鍊殑闊诲懗鍜岄ⅷ(f膿ng)鏍笺€傛墍浠ユ垜鍊戝彲浠ヨ锛岃鏂�2鍜屽師瑭╃殑绲�(t菕ng)涓€搴︽瘮璀枃1楂樸€�
鍐嶄締鐪嬭槆鏍艰槶杈�(n贸ng)姘戣┅浜虹緟浼壒·褰柉(Robert Burns)鐨勩€婃垜鐨勬剾鍍忔湹绱呯磪鐨勭帿鐟般€嬬殑璀湰锛�
鍘熸枃锛�
O my Luve’s like a red red rose
That’s newly sprung in June;
O my Luve’s like the melodie
That’s sweetly played in tune.
……
And fare thee weel, my only Luve!
And fare thee awhile!
And I will come again, my Luve,
Tho’it were ten thousand mile.
璀枃锛�
鍛�锛屾垜鐨勬剾浜哄儚鏈电磪绱呯殑鐜懓锛�
鍏湀閲岃繋棰�(f膿ng)鍒濋枊;
鍛�锛屾垜鐨勬剾浜哄儚鏀敎鐢滅殑鏇插瓙锛�
濂忓緱鍜岃鍙堝悎鎷�銆�
……
鍐嶈鍚э紝鎴戝敮涓€鐨勬剾浜�锛�
鎴戝拰浣犲皬鍒ョ墖鍒汇€�
鎴戣鍥炰締鐨�锛岃Κ鎰涚殑锛�
鍗充娇鏄惉閲岀浉闅斻€�
[鍒嗘瀽] 缇呬集鐗�·褰柉鑷辜鍙楁皯姝岀啅闄讹紝浠栫殑瑭╁瘜鏈夐剦(xi膩ng)鍦熸埃鎭拰姘戞瓕棰�(f膿ng)鍛�锛岃獮瑷€閫氫織锛岄煶妯傛€у挤(qi谩ng)锛岃畝渚嗘祦鏆㈣嚜鐒�锛屾湕鏈椾笂鍙�銆傝瑭╂墍閬哥殑棣栧熬鍏╃瘈(ji茅)鏄洿璀亷渚嗙殑锛屽彞娉曟湭璁�锛屽瓧闈㈡剰缇╀篃鏈綔浠讳綍璁婃洿锛屾鏄琛屼簡“璀€呬緷涔�”鐨勫師鍓�銆傝€屼笉璁婃槸鐩稿皪鐨�锛岀涓€鍙ユ牴鎿�(j霉) sprung 琛ㄧ従(xi脿n)鐨勬儏鎱�(t脿i)澧炲姞浜�“杩庨ⅷ(f膿ng)”;绗笁鍙ョ郸 melodie 鍔犱笂浜�“鐢滅敎鐨�”淇>銆傞€欎簺“鐣�”閮芥槸璀€呯殑“钘�”锛屽娣讳簡鍘熻┅娣卞堡鎰忚槉(y霉n)鎵€鏈夎€岃〃灞ゆ剰铇�(y霉n)鎵€鐒$殑鍏�(n猫i)瀹�锛屽洜鑰屾洿娣卞堡娆″湴鍌抽仈(d谩)浜嗗師瑭╃殑鎰忓锛岄仈(d谩)鍒颁簡“鎬�”鐨勬晥鏋�銆傜浜岀瘈(ji茅)涓皣my Luve璀偤鎰忕京鐩稿悓鐨勫叐鍊嬬ū鍛�“鎴戠殑鎰涗汉”鍜�“瑕剾鐨�”锛屽睍鐝�(xi脿n)浜嗚┅浜烘繁娌夌殑鎯呮劅鍜屼緷渚濅笉鑸嶇殑蹇冩儏銆傝€�“灏忓垾”鍜�“鐩搁殧”鍏╄鐢ㄥ緱鏇存槸绮剧暥(d膩ng)鍎�(y艒u)缇�锛岃垏姝ょ瘈(ji茅)涓€銆佷笁鍙ョ浉鍛兼噳(y墨ng)锛岄€�(j矛n)涓€姝ヨ〃鐝�(xi脿n)鍑鸿┅浜虹湡鎽繁鍒囩殑鎰熸儏銆傛“鏄�”浣垮師瑭╁拰璀┅閬�(d谩)鍒颁簡绲�(t菕ng)涓€銆傚鏋滀互闊�銆佸舰銆佹剰涓夌編鐨勬(bi膩o)婧�(zh菙n)渚嗚 閲�锛岃瑭╀篃鏄浉鐣�(d膩ng)鎴愬姛鐨勶細绗竴锛屽畠瀹屽叏淇濈暀浜嗗師瑭╃殑鎰忕京鍜屾剰澧�;绗簩锛屽熀鏈繚鐣欎簡璺熷師瑭╃浉鐣�(d膩ng)?sh霉)鐢烽棶?锛屾瘡?ji茅)鍚岀偤鍥涜锛屽彞瀛愰暦鐭篃杓冩暣榻�;绗笁锛岀瘈(ji茅)濂忚嚜鐒讹紝鍋跺彞鎶奸熁锛岃畝渚嗛牀鏈夊師瑭╃殑绁為熁鍜岄ⅷ(f膿ng)閲囥€�
璀枃姣旇純鍒嗘瀽锛氫互涓嬫瘡娈靛師鏂囧潎鏈夊叐鍊嬭鏈�锛岃珛浠旂窗(x矛)闁辫畝锛屽苟鏍规摎(j霉)鏈柈鍏冩墍瀛�(xu茅)鐨勫収(n猫i)瀹瑰垎鏋愬叐鍊嬭鏈殑鐗归粸(di菐n)锛屾壘鍑哄悇鑷殑鍎�(y艒u)鍔d箣铏�銆�
1. 鍘熸枃
Kitty and I drove away from Delhi along the straights, flat Agra road. It was hot, with all the stale accumulated heat of summer concentrated in that autumn day. Behind us the dust rolled upward in thick red clouds. Kitty kept her hand casually and frequently on the horn while we wound our way through the morning traffic….
[璀枃1] 鎴戝拰鍑辫拏娌胯憲绛嗙洿骞冲潶鐨勪簽鏍兼媺鍏矾椹�(q奴)杌婇洟闁嬪痉閲�銆傚ぉ寰堢啽锛屾暣鍊嬪澶╅儊绌嶈捣渚嗙殑鍏ㄩ儴鏆戠啽閮介泦涓埌浜嗙澶╃殑閫欏€嬫棩瀛愰噷銆傝粖鍚庡嵎钁楁績鍘氱殑绱呭〉銆傛垜鍊戝湪涓婂崍鎿佹摖鐨勮閬撲笂绌胯鏅傦紝鍑辫拏闅ㄤ究鑰岄牷绻佸湴鎸夎憲鍠囧彮銆�
[璀枃2] 鎴戝拰鍑辫拏闁嬭憲杌�锛岄洟闁嬪痉閲�锛屾部钁楃瓎鐩磋€屽钩鍧︾殑浜炴牸鎷夊叕璺椐�銆傚ぉ姘e崄鍒嗙値鐔�锛屽ソ鍍忚鎶婃暣鍊嬪澶╃⿳鑱氳捣渚嗙殑鏆戠啽閮介泦涓姇鏀惧埌閫欏€嬫湰瑭茬娑肩殑鏃ュ瓙閲�銆傝粖瀛愰枊閬�锛屽嵎璧锋痪婊剧磪濉�銆備笂鍗堢殑閫欏€嬫檪闁擄紝琛楅亾涓婂埌铏曟槸浜烘祦鍜岃粖娴�锛屾垜鍊戠┛琛屽叾涓�锛屽嚤钂備竴鍒讳笉闆㈠湴鎶婃墜鏀惧湪鍠囧彮涓�锛岄牷绻佸湴鎸夊嫊銆�
2. 鍘熸枃
He was an undersized little man, with a head too big for his body – a sickly little man. His nerves were bad. He had skin trouble. It was agony for him to wear anything next to his skin coarser than silk. And he had delusions of grandeur.
He was a monster of conceit. Never for one minute did he look at the world or at people, except in relation to himself. He was not only the most important person in the world, to himself; in his own eyes he was the only person who existed. He believed himself to be the one of the greatest dramatists in the world, one of the greatest thinkers, and one of the greatest composers. To hear his talk, he was Shakespeare and Beethoven, and Plato, rolled into one. And you would have had no difficulty in hearing his talk. He was one of the most exhausting conversationalists that ever lived. And evening with him was an evening spent in listening to monologue. Sometimes he was brilliant; sometimes he was maddeningly tiresome. But whether he was being brilliant or dull, he had one sole topic of conversation; himself. What he thought and what he did.
——Deems Taylor: The Monster
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